Hum 111 Confucius and Aristotle Paper - 814 Words

HUM 111 CONFUCIUS AND ARISTOTLE PAPER Click Link Below To Buy: http://hwcampus.com/shop/hum-111-confucius-and-aristotle-paper/ Choose one (1) of the topics from the list of topic choices below. Read the topic carefully. Write a three to four (3-4) page paper (750-1,000 words) that follows instructions and covers each part of the topic. (The title page and References list do not get included in this word count). For the topic you choose: 1. Establish a clear thesis about your topic as part of the introductory paragraph (often the thesis is the last thing one determines after doing the basic research and outline; however it will be placed in the first paragraph of your paper). 2. This is a comparative essay. Comparison†¦show more content†¦Note: Wikipedia and other similar Websites do not qualify as academic resources. You are highly encouraged to use the Resource Center tab at the top of your Blackboard page. Topic of Choice: †¢ CONFUCIUS AND ARISTOTLE †¢ a) Compare the two (2) rulers in terms of their situation and ascent to power, their methods of rule, and their achievements and resourcefulness, noting similarities and differences. Use specific examples. b) Consider what your study suggests about the cultures over which they ruled, identifying any similarities and differences between the cultures. c) From this comparison, suggest lessons about different types of effective leadership by a female in the world of modern business and / or modern politics. The Project Paper will be graded on: 1. The level to which the instructions were followed for the paper generally and for the specific topic. 2. The establishment of a clear thesis about your topic. 3. The adequacy and relevance of information, examples, and details which support the general thesis. 4. Covering each part of the topic as instructed, including the comparisons, the consideration of ancient cultural differences, and the reflection on lessons for modern society or the modern workplace. 5. The quality of your research and your persuasiveness using critical reasoning. 6. The use and acknowledgement of a minimum of three (3) required references (the class textbook plus at least two (2) other

How the Writers Shape or Craft Each Text to Meet the Expectations Free Essays

Examine how the writers shape or craft each text to meet the expectations of their respective audience, purpose and context Excerpt from Weblog and extract from Vernon God Little by DCB Pierre Text B is in the form of a blog, which is an online diary updated regularly by its author. Text C is an extract from the novel Vernon God Little by DCB Pierre. Both authors target a young adult audience through use of a casual tone to engage the reader and gain empathetic response. We will write a custom essay sample on How the Writers Shape or Craft Each Text to Meet the Expectations or any similar topic only for you Order Now The weblog writer uses colloquialisms such as ‘gutted’, and elision; ‘Whatcha’ DCB Pierre engages a young audience through use of a teenage protagonist. The weblog starts in medea res with use of the discourse marker ‘So after another†¦ ’ creating an informal ambience. This also suggests that the audience are regular readers of this particular blog, as they are expected to understand what the conversation is referring back to. The writer uses contractions; ‘Isn’t’ which reassures the informal tone. A similar tone is used in Vernon God Little, as the protagonist directly addresses the reader throughout; ‘You’d remember Clarence somebody’. nd uses the present tense to further engage the reader; ‘I sit waiting†¦ ’ The weblog writer uses parenthesis to convey to the reader a further thought on the previous statement; ‘On the plus side (a very small plus size)’ This further engages the reader and makes them feel as though they are directly involved with the writer. The main purp ose of both texts is to entertain, however both also inform the reader of the protagonist’s current situation; the weblog writer has just received news informing them that they have not been successful in a job application. JCB Pierre’s protagonist is currently in prison; ‘I sit waiting between shafts of light from a row of doorways†¦ looks like I’m the only one they rounded up so far’ This suggests that perhaps the protagonist is innocent, or there were more people involved in the crime as he is evidently waiting for them to be arrested. The context of the weblog is that the writer has recently received a job rejection and is reaching out to his readers to gain perhaps sympathy and empathy from them. The writer uses language such as; ‘Back at square one’ Emphasising to the reader that they are disheartened by the rejection. The simile, ‘Like a punch in the stomach’ reiterates the sadness the writer is feeling and the intention was to possibly gain a sympathetic response from readers to help him feel better about himself. The context of the novel extract is that a fifteen year old Texan boy (the protagonist) has been arrested and is recalling a man who was previously arrested for a similar crime. It contains slight sarcasm or black humour, as the protagonist mentions the news coverage of the man mentioned previously, lacking any details of the crime he committed; ‘The news said how little he cares about the effects of his crimes. By ‘effects’ I think they meant axe-wounds. ’ This sarcastic humour entertains the reader whilst informing them of events prior to the arrest of the main voice in this story. The narrator’s final sentence is almost foreboding, as he states; ‘They sentenced him to death. ’ How to cite How the Writers Shape or Craft Each Text to Meet the Expectations, Essay examples

Painting Vincent Van Gogh, Bedroom in Arles Essay Example For Students

Painting: Vincent Van Gogh, Bedroom in Arles Essay The first one, kept at the Van Gogh Museum in Amsterdam is painted in October 1888. About a year after, Van Gogh made two copies: one of which is the same size and is preserved today at the Art Institute of Chicago. The third one is currently at De Young Museum in San Francisco (but originally belongs to the Muss ©e doorways in Paris) and is smaller than the others. This Oil painting on a linen canvas represents Van Sagos tidy bedroom. Nothing lets us think that this is the room of a painter. We do not know this because he does not display his painting equipment. Nothing lies around, not even a paint tube in a corner or a brush. This bedroom seems to be for relaxation and not for his work as a painter. Here, he could finally forget his fatigue, have some comfort, sleep in peace. The bed is thus the dominant subject of the painting, suggesting the importance of comfort and rest. Ay painting his bedroom where everything is in its place, the painter may also want to show that he is a very neat man who cares tort himself, and who organizes his elite in a reasonable manner, In addition to the prominent bed, this room exudes quietness and expresses, absolute rest by its various shades. Indeed, the room has beautiful shiny colors. In Holland, where the painter was born, the weather is not always nice and the sky is therefore often gray _ Here however, there are multiple vibrant colors that certainly illustrate the happy life he had in France. Perhaps he had come to Arles for the sun and for him, it was an immense joy to live in such bright bedroom, bursting with colors. What is also fascinating about this piece of art is how the painter highlights the simplicity Of his bedroom through the medium Of color: he pale lilac walls, the floor of an old brown, the chairs and bed chrome yellow, the blood red cover, the orange little table and the blue basin, as the painter describes it. Van Gogh asserted that he wanted to express a complete rest by handling all these different shades. The color black, Which could be evocation a certain form of anguish. Is almost nonexistent in this painting. Only the frame of the mirror and windows is black. We wonder if this could mean that Van Gogh was afraid of his future and afraid to face up to reality. This is a possibility. In fact, despite the evidence of his happiness, present in this painting, Van Gogh was not married and many clues here let us think that he wished to be. Although the bedroom is very sparsely furnished and only contains essential items (which shows, in addition to the choice Of colors, a great simplicity), we notice that many of these objects go together in pairs (two pillows, NON chairs, NON portraits on the wall, NON drawings, and even two doors). Thus, this painting on canvas was perhaps his way of expressing his wish to meet someone and that his bedroom was arranged so as to welcome her. But because it was just him in this bedroom, he certainly felt less lonely by doubling the objects. Van Sagos painting consists almost entirely of straight lines. This is reminiscent of a childrens coloring which would have been filled in with color pencils, because the edges of objects are holder and their filling up seem almost slapdash, neglected. This elaborate post-impressionist design may be compared to such work as Georges Usurers A Sunday on Grandee latte (book p,370). .u6b94f95f60e04e05ae58f4927c36aaa5 , .u6b94f95f60e04e05ae58f4927c36aaa5 .postImageUrl , .u6b94f95f60e04e05ae58f4927c36aaa5 .centered-text-area { min-height: 80px; position: relative; } .u6b94f95f60e04e05ae58f4927c36aaa5 , .u6b94f95f60e04e05ae58f4927c36aaa5:hover , .u6b94f95f60e04e05ae58f4927c36aaa5:visited , .u6b94f95f60e04e05ae58f4927c36aaa5:active { border:0!important; } .u6b94f95f60e04e05ae58f4927c36aaa5 .clearfix:after { content: ""; display: table; clear: both; } .u6b94f95f60e04e05ae58f4927c36aaa5 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u6b94f95f60e04e05ae58f4927c36aaa5:active , .u6b94f95f60e04e05ae58f4927c36aaa5:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u6b94f95f60e04e05ae58f4927c36aaa5 .centered-text-area { width: 100%; position: relative ; } .u6b94f95f60e04e05ae58f4927c36aaa5 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u6b94f95f60e04e05ae58f4927c36aaa5 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u6b94f95f60e04e05ae58f4927c36aaa5 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u6b94f95f60e04e05ae58f4927c36aaa5:hover .ctaButton { background-color: #34495E!important; } .u6b94f95f60e04e05ae58f4927c36aaa5 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u6b94f95f60e04e05ae58f4927c36aaa5 .u6b94f95f60e04e05ae58f4927c36aaa5-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u6b94f95f60e04e05ae58f4927c36aaa5:after { content: ""; display: block; clear: both; } READ: A Discussion on Georgia O'Keeffe's Paintings EssayBut whereas Van Gogh favored paintings composed of multiple thin brush strokes, Serrate preferred the use of the pointillism system, which consisted of applying color to the canvas in tiny dots. 3 In this painting of Serrate, the color also focuses on hues, There are numerous colors too, their contrast is intense, and the sun shine, like in the Van Sagos bedroom, tills the picture, suggesting happiness and tranquility. Like Van Gogh, Serrate played with repetitive forms (the parasols, people in profile, trees, and boats). People in this piece are rigid. In fact, they do not seem to move, but on the contrary, seem to be strangely paralyzed, paralleling the furniture of Van Sagos bedroom. Strangely, Van Sagos furniture seems to be even more alive than the people in the Caesuras painting. The two painters did not have the same approach when they decided which colors they wanted to illuminate their canvases; While Van Gogh was guided by his emotions and instant feelings, Serrate carefully analyzed the colors and meticulously calculated values. 3 But in both pieces, Van Gogh and Serrate express their sense of organization by making objects, forms, motifs and colors coherent.

The Purloined Letter by Edgar Allan Poe A critical analysis Essay Example

The Purloined Letter by Edgar Allan Poe: A critical analysis Paper Edgar Allan Poe is a master of the short story form. All the skill and craft required of a short story are evident in The Purloined Letter. This short detective fiction is about displaying the cleverness of the investigator (Auguste Dupin) in solving a case. As is the norm in this genre of fiction, â€Å"the criminal is caught and the victim suffers, but the investigator flourishes, acquiring pleasure from the hunt and both egotistical and financial gratification from the solution.† (Thoms 141) In The Purloined Letter, the detective fully exercises his powers of reasoning and deduction to arrive at the solution to the riddle. In his regard, one can equate this work by Poe to those numerous Sherlock Holmes stories written by Sir Conan Doyle. But there are certain features that distinguish the story from others in the genre. Firstly, Poe has crafted the plot in such a deliberate manner that there is symmetry of thought and action by the characters. Secondly, Poe applies psy chological analysis in attributing meaning to, and anticipating actions of, the characters in the story. Thirdly, Poe subtly raises questions of morality through the means of actions of the characters. The rest of this essay will elaborate these points. An obvious feature of The Purloined Letter is its lack of pronounced mystery or suspense, for the identity of the thief, the manner of the theft and the motivations behind it are all openly disclosed. The only question is the exact place where the letter is hidden. The gravity of this question lies in the fact that the letter is a crucial document, upon whose access the Royal Lady’s illicit affair could be exposed. Indeed, â€Å"in the Minister’s and Dupin’s struggle to possess this letter, this hidden story of transgression, brilliantly dramatizes the contest for narrative control that underpins detective fiction.† (Davidson 219) A key passage in the story where Poe applies psychological analysis is when Dupin explains to his friend how he went about calculating the intelligence of the Minister and consequently using this measure to speculate on his likely behaviour. Estimating the Minister’s intelligence to be very high, Dupin infers that the p ossible methods employed by him to hide the letter will also be clever. In this way, the Minister is a match to Dupin’s own high intelligence, allowing the latter to mirror and predict the former’s thought and behaviour. An illustration of the Minister’s intelligence is his first accidental encounter with the royal lady’s letter, where, We will write a custom essay sample on The Purloined Letter by Edgar Allan Poe: A critical analysis specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Purloined Letter by Edgar Allan Poe: A critical analysis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Purloined Letter by Edgar Allan Poe: A critical analysis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer â€Å"after discerning the hidden story through a brilliant act of reading in which his lynx eye immediately perceives the paper, recognises the handwriting of the address, observes the confusion of the personage addressed, and fathoms her secret, the Minister conceives the plan of pocketing the letter and then blackmailing the lady.† (Thoms 141) Another merit of the story is the remarkable symmetry in the plot. The Minister, being a cunning and clever man, scripts the scenario in which he gains possession of the scandalous letter. For example, he manufactures a letter that looks similar to the lady’s secret possession and opens it and pretends to read it. Without raising any suspicion, he places casually places it next to the lady’s letter. After finishing his conversation, as he gestures to part, he nonchalantly picks up the lady’s letter. Even if the lady notices that it is her letter which is being taken, she cannot object to it, for it would give away her secret. Dupin’s masterful counterplot to steal back the letter from the Minister is conceived on similar lines, lending symmetry to the plot. (Thoms 141) The symmetry extends further, for both Dupin and the Minister are poets and authorial figures, who â€Å"can read circumstances and script the action; they share the initial D; and they both purloin the letter, an action which promises profit and allows us to see more clearly how detection becomes a kind of thievery as the investigator assumes possession of the hidden story and of the characters contained within it.† (Thoms 141) Poe’s genius is also evident in how he criminalizes the solving of crime itself, thereby raising questions of morality. In other words, far from acting on noble intentions, Dupin undertakes to solve the crime only for personal benefit, namely a check for 50,000 francs. He hardly breaks a sweat for this hefty pay, for the prefect was the one made to pursue standard search and seizure protocols, which prove futile. Having thus eliminated the usual hiding places for the letter through the Prefect’s testimony, Dupin makes his master move like a seasoned chess player. Moreover, the method he employs is not ethically above that of the Minister, for Dupin too resorts to stealing. Here, Poe is highlighting the moral ambiguity of the whole enterprise. The moral ambiguity is further heightened when we take into account how the Royal Lady’s mission to get back the letter is not officially notified to authorities. Instead, she uses her position of power to use state ap paratus for personal purposes. So, her actions are ethically dubious as well. Hence, The Purloined Letter is more than a mere detective story, for the detective and his client are not decidedly the righteous lot. In other words, â€Å"Poe proceeds to destabilize what he has wrought by challenging the apparent opposition between good detective and bad criminal. The story critiques the authority of the detective, subverts his solutions, and thus resists closure. From the making of the facsimile and the act of re-stealing the three Dupin stories seem preoccupied with reflection, repetition, and the blurring of boundaries†¦we glimpse how the imaginative Dupin adopts the character and perspective of the ostensible criminal.† (Thoms 142) Through a careful reading of The Purloined Letter, one can decipher a broader psychological device that Poe applies to his short stories. The key factor behind Dupin’s successful resolution of the case is his anticipation. This is made possible by being able to understand and rely on the pattern of behaviour of his subject – the Minister. Poe refers to it as ‘simplicity’, the â€Å"unitary characteristic of both mind and world† that aids Dupin’s predictions. Here, Poe is trying to approximate human behaviour to a scientific law by setting up a formula by which the several modes of human thought and action could be understood. First, â€Å"there was the action of the commonplace, ordinary mind — the â€Å"real† side of man — which conformed to a calculus of probability simple to unmask merely by putting one’s own mind in logical reference and identification with it: Poe’s analogy was the boy who could easily outwit his fellows by guessing in which hand the marble was held. Next, the more complex, original mind was impelled toward simplicity, toward final and ultimate comprehension. It was the character of this mind to conceal itself, as did Minister D behind some other or inverted calculus of relevance.† (Davidson 219) Works Cited Davidson, Edward H. Poe: A Critical Study. Cambridge, MA: Belknap-Harvard UP, 1957. Hayes, Kevin J., ed. The Cambridge Companion to Edgar Allan Poe. Cambridge, England: Cambridge UP, 2002.

Principles of Dimensional Modeling

Principles of Dimensional Modeling Abstract: Dimensional modeling is the name of a logical design technique often used for data warehouses. DM is the only viable technique for databases that are designed to support end-user queries in a data warehouse. It is different from, and contrasts with, entity-relation modeling. ER is very useful for the transaction capture and the data administration phases of constructing a data warehouse, but it should be avoided for end-user delivery. This paper explains the dimensional modeling and how dimensional modeling technique varies/ contrasts with ER models. DM: Dimensional Modeling is a favorite modeling technique in data warehousing. DM is a logical design technique that seeks to present the data in a standard, intuitive framework that allows for high-performance access. It is inherently dimensional, and it adheres to a discipline that uses the relational model with some important restrictions. Every dimensional model is composed of one table with a multipart key, called the fact table, and a set of smaller tables called dimension tables. Each dimension table has a single-part primary key that corresponds exactly to one of the components of the multipart key in the fact table. This characteristic star-like structure is often called a star join. A fact table, because it has a multipart primary key made up of two or more foreign keys, always expresses a many-to-many relationship. The most useful fact tables also contain one or more numerical measures, or facts, that occur for the combination of keys that define each record. Dimension tables, by contrast, most often contain descriptive textual information. Dimension attributes are used as the source of most of the interesting constraints in data warehouse queries, and they are virtually always the source of the row headers in the SQL answer set. Dimension Attributes are the various columns in a dimension table. In the Location dimension, the attributes can be Location Code, State, Country, Zip code. Generally the Dimension Attributes are used in report labels, and query constraints such as where Country=UK. The dimension attributes also contain one or more hierarchical relationships. Before designing a data warehouse, one must decide upon the subjects. Contrast with E-R: In DM, a model of tables and relations is constituted with the purpose of optimizing decision support query performance in relational databases, relative to a measurement or set of measurements of the outcomes of the business process being modeled. In contrast, conventional E-R models are constituted to remove redundancy in the data model, to facilitate retrieval of individual records having certain critical identifiers, and therefore, optimize On-line Transaction Processing (OLTP) performance. In a DM, the grain of the fact table is usually a quantitative measurement of the outcome of the business process being analyzed. The dimension tables are generally composed of attributes measured on some discrete category scale that describe, qualify, locate, or constrain the fact table quantitative measurements. Ralph Kimball views that the data warehouse should always be modeled using a DM/star schema. Indeed Kimball has stated that while DM/star schemas have the advantages of greater understandability and superior performance relative to E-R models, their use involves no loss of information, because any E-R model can be represented as a set of DM/star schema models without loss of information. In E-R models, normalization through addition of attributive and sub-type entities destroys the clean dimensional structure of star schemas and creates snowflakes, which, in general, slow browsing performance. But in star schemas, browsing performance is protected by restricting the formal model to associative and fundamental entities, unless certain special conditions exist (Kimball, 19960. The key to understanding the relationship between DM and ER is that a single ER diagram breaks down into multiple DM diagrams. The ER diagram does itself a disservice by representing on one diagram multiple processes that never coexist in a single data set at a single consistent point in time. Its no wonder the ER diagram is overly complex. Thus the first step in converting an ER diagram to a set of DM diagrams is to separate the ER diagram into its discrete business processes and to model each one separately. The dimensional model has a number of important data warehouse advantages that the ER model lacks. The dimensional model is a predictable, standard framework. Report writers, query tools, and user interfaces can all make strong assumptions about the dimensional model to make the user interfaces more understandable and to make processing more efficient. The wild variability of the structure of ER models means that each data warehouse needs custom, handwritten and tuned SQL. It also means that each schema, once it is tuned, is very vulnerable to changes in the users querying habits, because such schemas are asymmetrical. By contrast, in a dimensional model all dimensions serve as equal entry points to the fact table. Changes in users querying habits dont change the structure of the SQL or the standard ways of measuring and controlling performance (Ramon Barquin and Herb Edelstein, 1996). Conclusion: It can be concluded that dimensional modeling is the only viable technique for designing end-user delivery databases. ER modeling defeats end-user delivery and should not be used for this purpose. ER modeling does not really model a business; rather, it models the micro relationships among data elements (Ramon Barquin and Herb Edelstein, 1996).

How to Use String Substitution in Ruby

How to Use String Substitution in Ruby Splitting a string is only one way to manipulate string data. You can also make substitutions to replace one part of a string with another string. For instance, in an example string (foo,bar,baz) replacing foo with boo in would yield boo,bar,baz. You can do this and many more things using the sub and gsub method in the string class. Many Options for Ruby Substitution The substitution methods come in two varieties. The sub method is the most basic of the two and comes with the least number of surprises. It simply replaces the first instance of the designated pattern with the replacement. Whereas sub only replaces the first instance, the gsub method replaces every instance of the pattern with the replacement. In addition, both sub and gsub have sub! and gsub! counterparts. Remember, methods in Ruby that end in an exclamation point alter the variable in place instead of returning a modified copy. Search and Replace The most basic usage of the substitution methods is to replace one static search string with one static replacement string. In the above example, foo was replaced with boo. This can be done for the first occurrence of foo in the string using the sub method or with all occurrences of foo using the gsub method. #!/usr/bin/env rubya foo,bar,bazb a.sub( foo, boo )puts b $ ./1.rbfoo,bar,bazgsub$ ./1.rbboo,bar,baz Flexible Searching Searching for static strings can only go so far. Eventually, youll run into cases where a subset of strings or strings with optional components will need to be matched. The substitution methods can, of course, match regular expressions instead of static strings. This allows them to be much more flexible and match virtually any text you can dream up. This example is a little more real world. Imagine a set of comma-separated values. These values are fed into a tabulation program over which you have no control (closed source). The program that generates these values is closed source as well, but its outputting some badly-formatted data. Some fields have spaces after the comma and this is causing the tabulator program to break. One possible solution is to write a Ruby program to act as glue, or a filter, between the two programs. This Ruby program will fix any problems in the data formatting so the tabulator can do its job. To do this, its quite simple: replace a comma followed by a number of spaces with just a comma. #!/usr/bin/env rubySTDIN.each do|l|l.gsub!( /, /, , )puts lend gsub$ cat data.txt10, 20, 3012.8, 10.4,11gsub$ cat data.txt | ./2.rb10,20,3012.8,10.4,11 Flexible Replacements Now imagine this situation. In addition to the minor formatting errors, the program that produces the data produces number data in scientific notation. The tabulator program doesnt understand this, so youre going to have to replace it. Obviously, a simple gsub wont do here because the replacement will be different every time the replacement is done. Luckily, the substitution methods can take a block for the substitution arguments. For each time the search string is found, the text that matched the search string (or regex) is passed to this block. The value yielded by the block is used as the substitution string. In this example, a floating point number in scientific notation form (such as 1.232e4) is converted to a normal number with a decimal point. The string is converted to a number with to_f, then the number is formatted using a format string. #!/usr/bin/env rubySTDIN.each do|l|l.gsub!( /-?\d\.\de-?\d/) do|n|%.3f % n.to_fendl.gsub!( /, /, , )puts lend gsub$ cat floatdata.txt2.215e-1, 54, 113.15668e6, 21, 7gsub$ cat floatdata.txt | ./3.rb0.222,54,113156680.000,21,7 Not Familiar With Regular Expressions? Lets take a step back and look at that regular expression. It looks cryptic and complicated, but its very simple. If youre not familiar with regular expressions, they can be quite cryptic. However, once you are familiar with them, theyre straightforward and natural methods of describing text. There are a number of elements, and several of the elements have quantifiers. The primary element here is the \d character class. This will match any digit, the characters 0 through 9. The quantifier is used with the digit character class to signify that one or more of these digits should be matched in a row. You have three groups of digits, two separated by a . and the other separated by the letter e (for exponent). The second element floating around is the minus character, which uses the ? quantifier. This means zero or one of these elements. So, in short, there may or may not be negative signs at the beginning of the number or exponent. The two other elements are the . (period) character and the e character. Combine all this, and you get a regular expression (or set of rules for matching text) that matches numbers in scientific form (such as 12.34e56).

Ecconomic globalization Essay Example | Topics and Well Written Essays - 250 words

Ecconomic globalization - Essay Example tion has led to economic growth by increasing the aggregate demand which increases exports as well as increasing aggregate supply through higher levels of investments that are associated with globalization. Globalization has led to destruction of jobs in the manufacturing sector and increase of jobs in the service sector. In addition to that, globalization has led to the increased demand of skilled labour and reduced demand of unskilled labour. This is because firms have shifted their some of their productions stages to countries with cheap labour only leaving the ones that required highly skilled man power within the USA. This has led to widening income gap in the United States of America (Hanson, 2006). Globalization has impacted positively on export and import trade in the USA. This increased trade has led to increase in the GDP of the country. However the effect of globalization on balance of payment is uncertain and it hugely depends on the relative growth rates, exchange rates and